專任師資
王櫻芬
教授
資歷：美國匹玆堡大學民族音樂學博士
研究興趣：南管、臺灣音樂史、音樂社會史、音樂學學科史、唱片工業、廣播、聲音媒體、聲音檔案館、原住民音樂、無形文化遺產、文化政策、數位人文
開授課程：音樂學理論與方法、亞洲音樂文化、臺灣音樂導論、臺灣音樂史料、臺灣音樂史專題、歷史錄音與臺灣音樂、歷史錄音聲響分析、戰前東亞唱片工業、巴里島甘美朗樂舞文化與實踐、日治臺灣聲音媒體
聯絡電話： 02-3366-4693
電子信箱：nanguanl@ntu.edu.tw
個人簡介
1992年獲得美國匹茲堡大學民族音樂學博士。臺大音樂學研究所創所所長，現為特聘教授，是第一位獲得科技部傑出研究獎的音樂學者。主要研究興趣為南管和日治時期臺灣音樂史。前者包括南管曲目分類系統和創作過程、南管文化政策、南管社會史。後者包括日本音樂學者的臺灣音樂調查、唱片工業、廣播、原住民音樂生活的持續與變遷。與臺灣大學圖書館和漢珍公司合作完成「臺灣日日新報聲音文化資料庫」（2020），包括36筆報導、2千多萬字關鍵詞，為重建日治時期臺灣音樂生活提供豐富史料。推動本所於2015年成立博士班。自2017年起協助本所推動亞洲樂舞文化與實踐系列課程，並自2018年起持續開授巴里島甘美朗課程，也為本校購入臺灣首套甘美朗克比亞（Gamelan Gong Kebyar）和皮影戲甘美朗（Gender Wayang），且協助學生正式成立臺大甘美朗樂團。
- 臺大音樂學研究所所長（1996-1996，2005-2011）
- 國際傳統音樂學會東亞音樂研究群首屆執委會主席（2006-2010）
- 國際音樂學會東亞分會指導委員會主席（2011-2013）
- 科技部藝術學門召集人（2016-2018）
- 臺灣音樂學會理事長（2016-2018）。
- 音樂學理論與方法
- 亞洲音樂文化
- 臺灣音樂導論
- 臺灣音樂史料
- 臺灣音樂史專題
- 歷史錄音與臺灣音樂
- 歷史錄音聲響分析
- 戰前東亞唱片工業
- 巴里島甘美朗樂舞文化與實踐
- 日治臺灣聲音媒體
- 科技部傑出研究獎（2016）
- 北美中國音樂研究協會卞趙如蘭論文獎（2017）
1. 期刊論文
2019 〈學校教育中的傳統音樂和世界音樂：導言〉。《民俗曲藝》203: 1-33.
2018 “IFMC, Masu Genjiro, Kuorsawa Takatomo, and Their Recordings of Taiwanese Music.” Yearbook for Traditional Music 50: 71-90.
2017.6 〈無形文化遺產與傳統表演藝術：導言〉。「無形文化遺產與傳統表演藝術」專輯（王櫻芬主編）。《民俗曲藝》196: 1-14.
2016.4 “The Transborder Dissemination of Nanguan in the Hokkien Quandrangle before and after 1945.” Special issue on “Emergent Sino-Soundscapes: Musical Pasts, Transnationalism and Identities,” guest edited by Tan Sooi Beng and Nancy Rao. Ethnomusicology Forum 25(1): 58-85. (A&HCI)
2013.12 〈作出臺灣味：日本蓄音器商會臺灣唱片產製策略初探〉。「藝術範型的形成、傳播與轉化」專輯。《民俗曲藝》182: 1-49. (TSSCI)
2012.11 “Zhang Fuxing’s Musical Negotiation between Tradition and Modernity.” Special issue on “Colonial Modernity and East Asian Music,” guest edited by Hugh de Ferranti and Yamauchi Fumitaka. The World of Music (New Series), 1-2012: 15-46. (A&HCI)
2012.12 〈導言：錄音科技與臺灣音樂—近年研究回顧〉。「錄音科技與臺灣音樂」專輯（王櫻芬主編）。《民俗曲藝》178: 1-24. (TSSCI)
2012.12 〈一九三〇年代臺灣南管約人潘榮枝的跨界與創新〉。「錄音科技與臺灣音樂」專輯（王櫻芬主編）。《民俗曲藝》178: 25-73. (TSSCI)
2011.3 〈前言〉。「臺灣音樂的研究新動向」（王櫻芬主編）。《民俗曲藝》171: 1-9.
2008.6 〈聽見臺灣：試論古倫美亞唱片在臺灣音樂史上的意義〉。《民俗曲藝》160: 169-196. (TSSCI)
2006.6. 〈南管曲目分類系統及其作用〉。《民俗曲藝》152: 253-297. (TSSCI)
2005.6 〈殖民化與全球化：從日治時期音樂學者的調查紀錄看臺灣原住民音樂的變遷及其成因〉《民俗曲藝》148: 43-102. (TSSCI)
2004.11 〈戰時臺灣漢人音樂的禁止與「復活」：以1943年臺灣民族音樂調查的見聞為討論基礎〉。《文史哲學報》61: 1-24.
2003.9 “Introduction”. Special Issue on “Cultural Policy and Traditional Performing Arts in Asia.” Min-su ch’ü-yi (Journal of Chinese Ritual, Theatre and Folklore) 141: 1-11. (TSSCI)
2003.9 “Amateur Music Clubs and State Intervention: The Case of Nanguan Music in Postwar Taiwan.” Special Issue on “Cultural Policy and Traditional Performing Arts in Asia.” Min-su ch’ü-yi (Journal of Chinese Ritual, Theatre and Folklore) 141: 95-167. (TSSCI)
2001 〈南管「嗹呾尾」及其曲目初探：以「囉哩嗹」及「佛尾」為主要探討對象〉。《民俗曲藝》131:203-38.
2000 “In Memorium: Hsu Tsang-houei 1929-2001.” Association for Chinese Music Research Report 13: 129-32.
1995 〈臺灣南管音樂變遷初探—以近十年來(1984-1994)的臺北地區南管社團活動為例〉。《傳統藝術研究》1: 111-22.
1992a “The ‘Mosaic Structure’ of Nanguan Songs: An Application of Semiotic Analysis.” Yearbook for Traditional Music 24: 24-51.
1992b 〈明刊閩南戲曲絃管選本三種評介〉。《中央圖書館館刊》25(2): 211-20.
2. 學術專書
2008 《聽見殖民地：黑澤隆朝與戰時臺灣音樂調查（1943）》。臺北：臺灣大學圖書館。
3. 經典譯注
2019 主編《臺灣高砂族之音樂》，黑澤隆朝著，王櫻芬、劉麟玉、許夏珮譯。臺北：南天。
2017 主編《百年踅音：田邊尚雄臺廈音樂踏查記》，田邊尚雄著，李毓芳、劉麟玉、王櫻芬譯。臺北：臺灣大學出版中心。
4. 曲譜校訂本（critical edition）
2007 《捻步近前聽古音：鹿港聚英社林清河譜本》，與李毓芳合編。彰化：彰化文化局。
5. 學術專章
In progress “Gramophone Industry and Musical Genres in Colonial Taiwan.” In Formations of Phonographic Modernity: Exploring Gramophone Industry and Musical Genres in East and Southeast Asia, edited by Yamauchi Fumitaka and Ying-fen Wang. Urbana Champaign: University of Illinois Press.
2021 “Resounding Colonial Taiwan through Historical Recordings: Some Methodological Reflections.” In Resounding Taiwan: Musical Reverberations Across A Vital Island, edited by Nancy Guy, 9-27. New York: Routledge.
2017 〈導讀〉。收於王櫻芬主編《百年踅音：田邊尚雄臺廈音樂踏查記》， xiv-xxxiv。臺北：臺灣大學出版中心。
2014 〈臺灣音樂口述歷史的回顧與心得〉。收於許雪姬主編《臺灣音樂口述歷史的理論實務與案例》，291-304。臺北：臺灣口述歷史學會。
2013 “Arirang in Taiwan: A Sketch of Its Reception History.” In Arirang in Korean Culture and Beyond: Arirang from Diverse Perspectives, edited by Sheen Dae-cheol, 230-238. Seoul: Academy of Korean Studies.
2012 (片倉健博譯)〈冷戰期南管にみるメデイア·地域の相互連関〉（由冷戰期南管看媒體和地域的相互關聯）。收於三澤真美惠、川島真、佐藤卓己編《電波·電影·電視：現代東アジアの連鎖するメデイア》（電波·電影·電視：現代東亞的連鎖媒體）, 209-242。東京：青弓社。
2012 “Lessons from the Past: Nanguan/Nanyin and the Preservation of Intangible Cultural Heritage in Taiwan.” Music as Intangible Cultural Heritage: Policy, Ideology, and Practice in the Preservation of East Asian Traditions, edited by Keith Howard, 161-180. London: Ashgate.
2012 〈廈語古裝片的音樂運用：以南管為焦點〉。收於吳君玉編《香港廈語電影訪蹤》，96-109。香港：香港電影資料館。
2002a “Music and Chinese Society: Contemporary Taiwan.” In The Garland Encyclopedia of World Music, Vol. 7, East Asia: China, Japan, and Korea, edited by Robert Provine, Yosihiko Tokumaru, and J. Lawrence Witzleben, 423-429. New York: Routledge.
2002b “Ensembles: Nanguan.” In The Garland Encyclopedia of World Music, Vol. 7, East Asia: China, Japan, and Korea, edited by Robert Provine, Yosihiko Tokumaru, and J. Lawrence Witzleben, 205-209. New York: Routledge.
2000c 〈淺談臺灣南管館閣文化的傳統與變遷〉。收於林谷芳編《本土音樂的傳唱與欣賞》，100-107。臺北：國立傳統藝術中心籌備處。
2000b “Taiwan: From Innocence to Funny Rap.” In Rough Guide to World Music, Vol. 2, revised and enlarged edition, eds. Simon Broughton and Mark Ellingham, 235-40. London: Rough Guide Ltd.
1997 “Nanguan yinyue’ (Nanguan Music). In Taiwan yinyue yuelan [A Survey of Taiwan Music], 40-53. Taipei: Yushanshe.
6. 研討會論文（含論文集）
2022 “Singing Across Boundary through Sound Media: The Case of Chunchun in Colonial Taiwan.” Paper presented at Nagoya University International Symposium “The Cultural History of Sound/Voice,” January 29-30, Nagoya University, Japan (online).
2021a “The Reception and Indigenization of Harmonica in Colonial Taiwan.” Paper presented at the First Conference of the IMS Study Group on the Global History of Music “Music in the Pacific World: Change and Exchange through Sound and Memory,” October 14-17, Taipei, Taiwan (online).
2021b “Kurosawa Takatomo’s 1939 Fieldwork in Southeast Asia and His Study of Taiwanese Indigenous Music.” Paper presented at the 6th Symposium of ICTM Study Group for Performing Arts in Southeast Asia, July 29-August 4, Tainan, Taiwan (online).
2021c “From Ilisin to Tsukimisai: The Colonial Intervention in Amis Harvest Festival in Colonial Taiwan.” Paper presented at 2021 International Colloquium “Japanese Colonialism and Music in Taiwan and Korea”, March 27-28, Taipei, Taiwan (online).
2019 “An Outline History of (Ethno)musicology in Taiwan.” Paper presented at the 45th International Council for World Music World Conference, Bangkok, Thailand, July 11-17.
2018a “Reconstructing Taiwan Music History through Newspaper and 78-rpm Record Database.” The 3rd ICTM Forum, Beijing, China, July 11-14.
2018b 〈從報紙和唱片重建日治時期臺灣音樂史〉。收於顏綠芬編《重建臺灣音樂史研討會論文集》， 149-158。宜蘭：國立傳統藝術中心。
2017a “Recording Industry in Colonial Taiwan.” Paper presented at “Recording Industry in East and Southeast Asia in the 78 RPM Era International Workshop”, National Center for Traditional Arts, Yilan, Taiwan, November 27-28.
2017b 〈日治時期古倫美亞唱片臺語流行歌的萌芽與發展：從錄音順序切入的觀察〉。發表於臺灣民族音樂學會暨臺灣音樂學論壇年度研討會，嘉義，臺灣，11樂17-18日。
2017c “The Making of Popular Songs by Nippon Phonograph Company in Colonial Taiwan.” Paper presented by the 62nd Annual Conference of the Society for Ethnomusicology, Denver, USA, October 25-29.
2017d “IFMC, Masu, Kurosawa, and Their Recording of Taiwanese Music.” Paper presented at the 44th World Conference of International Council for Traditional Music, University of Limerick, Limerick, Ireland, July 13-19.
2017e “Kurosawa Takatomo and Comparative Musicology.” Paper presented at the 20th Quinquennial Congress of International Musicological Society, Tokyo University of the Arts, Tokyo, Japan, March 20-24.
2017f “Broadcasting Hokkienese: Radio and Nanguan/Nanyin Music in Malaysia and Singapore.” Paper presented at the conference “Asian Diasporas: Transnational and Regional Cultural Heritage(s)”, Singapore, February 18.
2014 “Reconstructing the History of Music in Colonial Taiwan through Newspapers and 78 RPM Records.” Paper presented at Public Lecture and Symposium “Music and Modernity in East Asia: Creating Music Databases”, Kyoto University of Arts Research Center for Japanese Traditional Music, November 20-21.
2013a “Reconstructing the History of Music in Colonial Taiwan through Newspapers and 78 RPM Records.” Paper presented at the Conference “Keeping Music Alive: Innovative Approaches to Music Documentation and Interpretation”, Ewha Music Research Cenber, Ewha Womans University, Seoul, Korea, Nov. 8-9.
2013b “New Approaches to Studying Columbia Records.” Paper presented at the Forum “East-West Dialogue: China’s Musical History from a Global Perspective”, Hong Kong Baptist University, Hong Kong, April 30.
2012a “A New Era for Studying Taiwan’s Musical Past.” Paper presented at the Symposium “Modernity in East Asian Music: The West, Tradition, and Beyond”, Ewha Music Research Center, Ewha Womans University, Seoul, Korea, Nov. 19-21.
2012b 〈臺灣音樂社會史再議：近三十年音樂史料新動向〉。專題演講。發表於2012年臺灣傳統音樂文化資產研討會。臺北，臺灣，10月27-28日。
2011a “Arirang in Taiwan: A Sketch of Its Reception History.” Paper presented at the Arirang International Conference, Dec. 14-15, Academy of Korean Studies, Seoul, Korea.
2011b 〈張福興的音樂觀與音樂實踐〉。發表於臺灣音樂學論壇，交通大學，新竹，臺灣，10月21-22日。
2011c 〈冷戰時期南管傳播媒介與地域互動〉。發表於2011年臺灣傳統音樂文化資產研討會。國立臺灣師範大學，臺北，臺灣，10月15-16日。
2011d “Nanguan chuanbo meijie yu diyu hudong” (The Mass Mediation and Regional Interaction of Nanguan during the Cold War). Paper presented at the Annual Conference of the Taiwan Anthropological Society, Academia Sinica, Taipei, Taiwan.
2011e “Musicology in Taiwan.” Presented at Conference on “Current Musicological Scene in East Asia,” East Asian Regional Associational of International Musicological Society, Seoul National University, Seoul, Korea, September 16-18.
2011f 〈戰後南管文化圈的地域互動和媒體互動〉。發表於東亞媒體史工作坊。臺灣大學，臺北，臺灣，2月24日。
2011g 〈臺灣78轉唱片的收藏與研究─回顧與展望〉。東亞古音盤研究的現況與課題，1月28日，東國大學，首爾，韓國。
2010a 〈閩臺東南亞78轉南管唱片曲目初探〉。宣讀於2010臺灣音樂學論壇，南華大學，嘉義，臺灣，11月26-27日。
2010b “Sounds from the Homeland: The 78-rpm Records of Nanguan Music in the Southern Fukienese Diaspora.” Paper presented at the Second Conference of the ICTM Study Group for Musics of East Asia (MEA), the Academy of Korean Studies, Seoul, Republic of South Korea, August 24-26.
2010c “Zhang Fuxing’s Musical Negotiation of Tradition and Modernity in Colonial Taiwan.” Paper presented at the Workshop “Music Networks and Colonial Modernity in Metropolitan East Asia”. University of Sydney, Sydney, Australia, April 9.
2010d “Lessons from the Past: Nanguan and the Preservation of Intangible Cultural Heritage in Taiwan.” Paper presented at the conference “Preserving Tradition, Facing the Future in Asian Musical and Visual Cultures.” University of Sydney, Sydney, Australia, April 8-10.
2010e 〈作出臺灣味：日治時期臺灣古倫美亞唱片〉。宣讀於日本大阪國立民族學博物館主辦Symposium on ”Listening to Voices and Instruments Recorded on Old Discs,” National Museum of Ethnology, Osaka, Japan, February 11-12.
2009a 〈日治時期南管的傳統與創新：以潘榮枝在唱片和廣播的活動為例〉。發表於2009臺灣音樂學論壇，臺北，臺灣，11月27至28日。
2009b “Mass Media and Nanguan Musicians’ Innovation in Colonial Taiwan: A Case Study of Pan Rongzhi (1905-1947).” Presented at “sounds Chinese: Performance, Commodification, and Interpretation”, Tokyo University, Tokyo, Japan, July 17-19.
2008a “A New Era for the Study of Taiwan Music History.” Presented at the Pre-conference of the Annual Conference of the Society for Ethnomusicology, Middletown,Connecticut, Oct. 24.
2008b “Jazzing up Nanguan: Pan Rongzhi’s Innovation of Nanguan Music in Taiwan in the 1930s.” Paper “Paper presented at “The Age of the 78s in East Asia: Sound Recordings and Associative Modernity” International Symposium, jointly organized by National Museum of Ethnology and Graduate Institute of Musicology of National Taiwan University. Taipei, Taiwan, Dec. 12-13.
2006a “Crossing Boundaries: Columbia Records, Radio and the Changing Soundscape in Taiwan During the 1920s and 30s.” Paper presented at International Conference “East Asia Music and Modernity” (as part of the 2006 Asia Pacific Traditional Arts Festival), Yi-lan, Taiwan, Aug. 31-Sept. 2.
2006b “Crossing Boundaries: Columbia Records, Radio and the Changing Soundscape in Taiwan during the 1920s and 30s.” Paper presented at the “Music, Theatre and Taiwan” Workshop, Insittute of Taiwan History, Academia Sinica, Taipei, Taiwan, August 25.
2006c 〈聽見台灣：試論古倫美亞唱片在臺灣音樂史上的意義〉。發表於日本コロムビア外地錄音（1928-1945）國際研討會，國立民族學博物館，大阪，日本，2月19日。
2004 “Nanguan Music in Cross-strait Exchanges between Taiwan and Fujian: A Social History.” Paper presented at the 37th Annual Conference of International Council for Traditional Music, 4-11 January, Fuzhou and Quanzhou, Fujian, China.
2003 “The Significance of Binary Durational Ratio in Nanguan Music”. In A Search in Asia for a New Theory of Music, edited by Jose Buencosejo, 145-159. Quezon: UP (University of the Philippines) Center for Ethnomusicology.
2002a 〈日治時期日本音樂學者對於臺灣音樂的調查研究：以田邊尚雄及黑澤隆朝為例〉。收於喬建中等編《中國音樂研究在新世紀的定位》論文集，613-631。北京：人民音樂。
2002b 〈危機與轉機：試論南管音樂在當代社會的價值與再生〉。收於《2000亞太傳統藝術論壇》論文集，245-253。宜蘭：國立傳統藝術中心。
2000a 〈臺灣地區民族音樂保存研究的現況與發展〉。收於《臺灣地區民族音樂之現況與發展座談會實錄》，94-101。臺北：民族音樂中心籌備處。
2000b 〈臺灣音樂社會史初議〉。收於《臺北國際樂展—音樂的傳統與未來論文集》，171-185。臺北：文建會。
1997a 〈臺灣南管一百年：社會變遷、文化政策、與南管活動〉。收於陳郁秀編《音樂臺灣一百年論文集》“Taiwan nanguan yibainian: Shehui bianqian, wenhua zhengce, yu nanguan huodong”，86-130。臺北：白鷺鷥基金會。
1996 “For Better or For Worse: State Involvement in the Transmission of Nanguan in Taiwan.” In Dynamics of Asian Music: Tradition and Its Modification, ed. Tomoaki Fujii. Osaka, Japan: National Museum of Ethnology.
1994 〈從長滾看南管滾門曲牌分類系統〉。收於王櫻芬編《八十三年度彰化文藝季千載清音—南管學術研討會論文集》，12-33。彰化：彰化縣立文化中心。
7. 書評
2004.6 Musical Instruments, Material Culture, and Meaning: Toward an Ethno-Organology, special issue, Min-su ch’ü-yi (Journal of Chinese Ritual, Theatre and Folklore) 146, co-edited with Henry Johnson. (TSSCI)
2003.9 Cultural Policy and Traditional Performing Arts in Asia, special issue, Min-su ch’ü-yi (Journal of Chinese Ritual, Theatre and Folklore) 141. (TSSCI)
1998 Review of Folk music of China: Living Instrumental Traditions by Stephen Jones (Oxford: Clarendon Press; New York: Oxford University Press, 1994). The Journal of Asian Studies, 57(3): 827-29.
1994 《八十三年度彰化文藝季千載清音—南管學術研討會論文集》。彰化：彰化縣立文化中心。
1990 Review of Yuan sanqu de yinyue [The music of the Yuan arias] by Sun Xuanling (Beijing: Wenhua Yishu Chubanshe, 1988). Association for Chinese Music Research Newsletter, 3(2): 8.
1987 The Ethelbert Nevin Collection at the University of Pittsburgh. Unpublished bound copy deposited at the University of Pittsburgh Hillman Library.
8. CD
2008 《戰時臺灣的聲音：黑澤隆朝『高砂族の音楽』復刻—暨漢人音樂》（與劉麟玉合編）。臺北：臺灣大學出版中心。
1997 《臺灣的南管—曲》。臺北：文建會。
9. 翻譯
2003 《明刊戲曲絃管選集》，龍彼得著，第三到五章。泉州：中國戲劇出版社。
1995a 〈明清的南管〉。《民俗曲藝》94/95: 1-17.
1995b 〈有聲資料中心在現今民族音樂學中的角色〉。《臺灣有聲資料庫》2(2): 48-59.
1989a Chinese translation of “A Courtly Edict for Javanese Music, by Mantle Hood.“ In Proceedings of the Third International Conference on Chinese Ethnomusicology, 5-12. Taipei: Council for Cultural Planning and Development, Executive Yuan.
1989b Chinese translation of “The Concept of Tetrachord in East Korean Folk Song.” In Proceedings of the Third International Conference on Chinese Ethnomusicology, 13-16. Taipei: Council for Cultural Planning and Development, Executive Yuan.
1989c Chinese translation of “The Polyphonic Singing of the Peole in Asian Cultures, by Tomoaki Fujii.” In Proceedings of the Third International Conference on Chinese Ethnomusicology, 36-37. Taipei: Council for Cultural Planning and Development, Executive Yuan.
1989d Chinese translation of “The Present State of Research in Korean Musicology, by Han Man-young.” In Proceedings of the Third International Conference on Chinese Ethnomusicology, 359-61. Taipei: Council for Cultural Planning and Development, Executive Yuan.
1989e Chinese translation of “The Ethnomusicological Study in Japan National Museum of Ethnology, by Tomoaki Fujii.” In Proceedings of the Third International Conference on Chinese Ethnomusicology, 51-52. Taipei: Council for Cultural Planning and Development, Executive Yuan.
10. 其它著作：
2017 〈音樂學近年來的發展趨勢〉。《人文與社會科學簡訊》18(3): 76-80.
2016 〈拼圖的樂趣，體會過程的重要〉。《人文與社會科學簡訊》17(3): 82-85.
自1986年起參與國際學術會議發表。主辦以下國際會議：第四屆亞太民族音樂學會（1998）、與日本國立民族學博物館合辦之東亞78轉唱片會議（2008）、本所與香港中文大學音樂系合辦會議（2009-2011）、國際音樂學會東亞分會第二次會議（2013）。曾於2019年舉行盛大巴里島甘美朗樂舞展演，引起廣大迴響，繼而受邀為印尼國慶日晚會擔任演出，也為故宮南院印尼月開幕典禮擔任演出。今年（2022）6月臺大甘美朗樂團與世界各國共30個甘美朗隊伍受邀參與巴里島官方首度舉辦之世界文化節（Bali World Culture Celebration, BWCC）。