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| Name | Undergraduate Institution | Year of Graduation | Thesis Title |
| Ying-Rong LI | Department of International Business & Department of Music, National Dong-Hua University | 2022 | Exploring the Silence in Films: Case Study of Interstellar, The Sound of Metal, and The Silent Forest |
| Hsien-Sheng CHEN | Department of Life Science, National Taiwan University | 2022 | Impressionistic Criticism on Music Style: A Case Study of Guanling School of Guqin |
| Guan-Jhen HUANG | Department of Music, National Sun Yat-sen University | 2022 | From East-West Hybridity to Japan’s Asianess: Minoru Miki’s Reflective Practice of Heterophony and Cross-cultural Composing |
| Sue-ann SHIAH | Music Business, Belmont University | 2021 | Healing, and Embodiment: Relamation in the Worship Practice of LGBTQ Christian Movements In North America and Asia |
| Chia-yen CHANG | Department of Music, National Taipei University of Education | 2021 | Anak Band (Children of Band): Musical Community of Indonesian Migrant Workers in Taiwan |
| Samuel GARCIA | Northwestern University Chinese Language and Cultures | 2021 | Dragging Up Taiwan: The Construction of Queer Genders through Drag Performance in Taipei |
| Shao-hsuan LIN | National Chung Cheng University | 2021 | The Changing Concept of “Geyao” and Its Application in Senior High School Music Textbooks in Taiwan |
| Sheng-jie LIOU | Chinese Music Department, National Taiwan University of Arts | 2021 | Loving Sinophone: Singapore-Malaya Context of Mandarin Popular Songs during Mid-Twentieth Century |
| Yin-hsuan TAI | Department of Foreign Languages and Literatures, National Taiwan University | 2021 | A Resonant Fieldwork on Taiwanese Lesbian Communities’ Soundscape of Local Indie Music |
| Dian-jia HSU | Chinese Music Department, Tainan National University of the Arts | 2020 | A Study of the Beiguan 78-rpm Records of Chang Yuan Lu Xuan Group in Colonial Taiwan |
| Yu-hsuan LIAO | Department of History, National Cheng Kung University | 2020 | Scientific Cognitivism, Environmental Ethice and Aesthetice in Taiwan’s “Natural Music” : A Case Study of Bleeding Wolves(1996), The Forest Show (1999) and Frog’s Show (2001) |
| Tzu-ying Chuang | Department of Chinese Literature, National Taiwan University | 2020 | Listening to WWI: Einstürzende Neubauten’s Lament |
| Pei-lan PAO | Department of Music, National Sun Yat-sen University | 2020 | The Development of Chinese Orchestral Music in Japan－An Initial Exploration of Chinese Orchestral Music in Kansai Region |
| Chun-hao CHEN | Graduate Institute of Clinical Dentistry | 2020 | Courante & Corrente: Musical Mobility of the Baroque Period |
| Haoran JIANG | Department of Music, Nanjing University of the Arts | 2020 | Restudying Campus Folk Song: from the Perspectives of Phonomusicology and Sinophone Studies |
| Chi-yu CHEN | The Department of Sociology, National Chengchi University | 2020 | The Birth of the 2009 Edition of the Taiwan Presbyterian Church Hymnal Sèng-si |
| Ya-hsuan KUNG | Department of Music, Tunghai University | 2020 | Proper Voice or Political Voice: A Case Study of Ge Tan Chun Qiu and Wo Wel Ni Ge Chang from Cheng Sheng Broadcasting Corporation. |
| Tien-yen FENG | Department of Music, Soochow University | 2019 | Time in Tchaikovsky’s Music : Third Symphony in D Major, op.29 |
| Cheng LIN | Department of Japanese Language and Literature, National Taiwan University | 2019 | “Re-politicizing” Japanese Postwar Music History: The Case of Toshirō Mayuzumi’s late works |
| Shao-hsuan LIN | Department of Chinese Literature, National Chung Cheng University | 2019 | A Study of Blues by Ma Rainey: Sexuality, Society and Freedom |
| Xiang-yu ZHAO | Department of Cultural Heritage and Museology, Zhejiang University, China | 2019 | The Music and Dance in the Poetry of the Western Regions and Its Textual Research |
| Tai-wei LIN | Arts and Crafts Department, Tung Fang Design University | 2019 | Record Labels and industry development in pre-war Taiwan –– An analysis of paper labels |
| Shu-wei HSU | Department of Political Science, National Chengchi University | 2019 | Modern and Classic: Shen-Chih’s Design for Qun-Xing-Hui (Star Showcase) |
| Chia-chi CHEN | Department of Foreign Languages and Literatures, National Taiwan University | 2018 | The Bowing of Nanguan Erxian: Converging and Diverging Conventions |
| Emilia BORZA | Department of Chinese Studies, University of Warsaw, Poland | 2017 | The street musicians of Taipei and new Taipei city : identity, community and social portraits |
| Chia-han YEH | Department of Music, Soochow University | 2018 | Analysis of Soundtracks of Disaster Films and Audience Emotional Responses |
| Hyunyoo PARK | Department of English Language and Literature ,Seoul National University, Korea | 2018 | Folk Music Scenes in 1970s Korea and Taiwan: Wolganpapsong and Gunshi |
| Ko-Hua HUNG | Department of Foreign Languages and Literature / Chinese Literature, National Tsing Hua University | 2018 | Sounds Dislocation and Source Tracing: The Aesthetics of Space Displacement in Electronic Dance Music |
| Tzu-chun LING | Department of Chinese Music, National Taiwan University of Arts | 2018 | Research on Qiong Yao Films |
| Chi-yu CHEN | Department of Sociology, National Chengchi University | 2019 | The Birth of the 2009 Edition of the Taiwan Presbyterian Church Hymnal Seng-si |
| Wei LANG | Chinese Music Department, National Taiwan University of the Arts | 2017 | The optimal experience of “pasibutbut” : investigating the consciousness state of Bunun Taiwanese when singing the millet harvest praying song |
| Ai CHUNG | Department of Library and Information Science, National Taiwan University | 2017 | A preliminary study on Taiwan’s radio program kodomo no jikan ‘children’s time’ in colonial taiwan |
| Hsiao-ning TZENG | Department of Education, National Chengchi University | 2016 | The hall of music and entertainment : the research of arts and cultural performances of the Taipei Zhongshan Hall (City Public Hall) |
| Yu-ching LIU | Department of English, National Taiwan Normal University | 2017 | Characteristics of the Vocal Rhythm in Jonathan Lee’s and Tom Chang’s Popular Songs |
| Meng-ting WU | Department of Music, Tunghai University | 2016 | Emotional effects of Teresa Teng’s songs in Taiwanese healthy and disabled older adults |
| Ting-yun HSU | Department of Music, National Taiwan University of the Arts | 2018 | Musical Time in Contemporary Mandarin Popular Songs: A case study of Male singer-songwriters’ Works |
| Min-erh WANG | Department of Plant Pathology and Microbiology, National Taiwan University | 2015 | The uncertain identity of Chinese music: symphonization and adaptation from western music in the development of Taipei Chinese Orchestra |
| Chun-chieh CHANG | Department of Civic Education and Leadership, National Taiwan Normal University | 2015 | The target of consumer and the construction of meaning in musical multimedia works: a case study of “tsiok- kám- sim” television advertising series of elife mall |
| Hui-ping LI | Department of Geography, National Taiwan University | 2016 | The “strategic essentialism” and “Asia as method” in José Maceda’s academic writings and musical compositions |
| Lu-Ting CHIA | Department of Traditional Music, Taipei National University of the Arts | 2016 | Theatrical uses and musical features of jin-la-man-chang rhythmic mode in que-bo-luan-tan xiqu |
| Yi-hsiu CHO | Department of English, National Taiwan Normal University | 2015 | Musical sublime in the film Life of Pi: from Ang Lee’s cross-cultural perspective |
| Yi-ju HSIEH | Department of Music, National Taiwan Normal University | 2015 | The non-narrative audiovisual oscillating between dynamic and static states: analyzing Ryoichi Kurokawa’s rheo: 5 horizons |
| Wei-hao PENG | Department of German Language and Culture, Soochow University | 2015 | From A-mei to A-mit: Chang Hui-Mei’s transformation and self-resistance |
| Tung-yue HUANG | Department of German Language and Culture, Fu Jen Catholic University | 2015 | A research of on music and sound effect in Lee Hsing’s healthy realism films |
| Chia-hsin CHANG | Department of Music, National Taiwan University of the Arts | 2016 | Hong Kong Imaging China in Jin Yong’s Wuxia TV Original TV Songs |
| Shu-yao CHU | Department of Music, Taipei Municipal University of Education | 2014 | Song uses and audience experiences of Korean idol dramas: a study on “My girl”, “You’re beautiful”, and “Secret garden” |
| Wan-ling CHEN | Department of Music, National Kaohsiung Normal University | 2015 | Arranging pop song in colonial Taiwan: the case of Teikichi Okuyama’s works |
| Mei-ju LIN | Department of Real Estate & Built Environmen, National Taipei University | 2014 | The song and score of the national policy film sayon no kane in the japanese colonial period |
| Hui-chieh YANG | Department of Political Science, National Taiwan University | 2014 | Relations in musical multimedia: take “the polarity” in Lady Gaga’s three music videos for example |
| I-hua YANG | Department of Chinese Music, Tainan National University of the Arts | 2015 | Imagining Taiwan? nanguan in taiwanese contemporary music compositions |
| Chung-ping CHEN | Department of Engineering Science, National Cheng Kung University | 2013 | Tension-Relaxation Patterns in the Retransition to the Recapitulation in Sonata Form: A Study Combining Music Analysis and Measures of Listener Physiology |
| Chien-jung LEE | Department of Economics, National Chengchi University | 2012 | Dynamic Process in the First Tableau of Petrushka |
| Ya-chien WEN | Department of Human Development and Family Studies, National Taiwan Normal University | 2012 | The Effects of Harmony on Musical Modulation During Active Listening: A MEG Study |
| Yao-pang CHANG | Department of Music, National Taiwan Normal University | 2015 | The ebb and flow of tension in György Ligeti’s Artikulation |
| Ting-shuo KUO | Department of Chinese, National Kaohsiung Normal University | 2013 | Japanese Animated Music in Modern Times: A Case Study of the Animated Film Summer Wars |
| Yi-fan HSIAO | Department of Anthropology, National Taiwan University | 2013 | Re-imagining of “Golden Lineage” and Construction of Pride: The Folk-Rock Band Altan Urag and Mongol Identity |
| Sheng-an WANG | Department of Music, Taipei Municipal University of Education | 2015 | Taiwanese music and its consciousness: a postcolonial perspective of the post-martial-law-period elementary school music textbook |
| Ching-yuan LIAO | Department of Economics, National Taiwan University | 2013 | A Preliminary Study of Shakuhachi Activities in Colonial Taiwan, with Emphasis of its Popularization (1933-1937) and the Taiwanese Skahuhachi Player Lin A-Fa |
| Meng-kuei CHANG | Department of Music, Taipei National University of the Arts | 2013 | The Cinematic Labyrinth Created by Illusion and Reality: Narrative Space Constructed by Film Music in David Lynch’s Inland Empire |
| Jung-shan CHEN | Department of Music, National University of Tainan | 2012 | Slow Lyrical Popular Songs in Taiwan: a Study of the Verse – Refrain Form and Listening Behaviors |
| Chia-ling CHOU | Department of English Language and Literature, Fu Jen Catholic University | 2014 | Gendering “self” and “other” in French orientalist operas after the Franco-Prussian war: Lakmé, Thaïs and La princesse jaune |
| Ma-dan HO | Department of Music, Taipei Municipal University of Education | 2014 | Sounding Space: Hearing Taiwan’s Colonial Experiences in Japanese Recordings |
| Ching-ting CHOU | Department of Japanese Language and Literature, National Taiwan University | 2011 | A Musical Netnography in the Age of the Internet: With a Focus on Three Classical Music Blogs |
| Chun-pei HSIEH | Department of Social Work, Soochow University | 2011 | Latin Rhythms in Taiwanese Puppet Theater |
| Hao-yu HUANG | Department of Music, National University of Tainan | 2011 | Tracing the Origins of Twenty-Six Atayal Hymns |
| Wei-ling SHEN | Department of Music, National Taipei University of Education | 2013 | “Noise” as Voice of Resistance: The Acoustic Practice and Performer-Audience Interactions of the Loh Tsui Kweh Commune’s Live Performances, 1990-2001 |
| Yu-han TSAI | Department of Music, National University of Tainan | 2012 | The Functions and Audience Experiences of the Chorus in Broadway Musicals After the 1970s |
| Shih-yun LIAO | Department of Finance, National Taiwan University | 2009 | A Study of Tan Dun’s Northwest Suite: The Multidimensional Dialogue between Composition and Guoyue |
| Li-ching WANG | School and Graduate Institute of Physical Therapy, National Taiwan University | 2009 | Rocking to the Music: A Study of Motor Patterns and Physiological Measures |
| Yen-ting CHAO | Department of Health Promotion and Health Education / English, National Taiwan Normal University | 2010 | Fusion is Inside of Yourself: Nguyễn Lê and Sizhukong’s Global Fusion Jazz |
| Wang-ting CHIU | Department of Music, Taipei Municipal University of Education | 2010 | Becoming “Formosa’s Vocal Bass King”: A Study of Hung Yi Feng’s Compositions and “Mixed-Blood Songs” |
| Wei-chiann YANG | Department of Applied Music, Tainan National University of the Arts | 2009 | Analyzing the Red Myth: Musical Schema Shifts in Model Beijing Operas |
| Shao-shan LIANG | Department of Ethnomusicology, Nanhua University | 2010 | The Glorious Years: the Yi-Sha Dance Troupe’s Musical Style and Its Applications |
| Wei-chin CHANG | Department of Anthropology, National Taiwan University | 2010 | Textual and Melodic Arrangement in Wen-Hsia’s Taiwanese Cover Songs |
| Wen-shu JUAN | Department of Philosophy, National Chengchi University | 2011 | Retelling A Legend: On the Construction of Spectacle in Chen-Da and “Su Siang Ki” in 1970’s Taipei |
| Pei-ling HUANG | Department of Architecture, National Cheng Kung University | 2010 | A Historical and Cultural Interpretation of Northern Dynasty Dunhuang Music Iconography: With Special Focus on Ensemble Sound and the Ji-Gu Indian Drum |
| Yu-fen HUANG | Department of Music, National Taiwan Normal University | 2010 | Susanne K. Langer’s Theory of Tension and Temporality in Music: Proposing a Multilayer Analysis |
| Yen-jui CHEN | Department of Music, Taipei Municipal University of Education | 2010 | Instrumental Modernity in Taiwanese Literati’s Listening Experiences under Japanese Colonial Rule |
| Che-yao CHANG | Department of Traditional Music, Taipei National University of the Arts | 2009 | Sonorous Silence – Teng Ge’er’s Nostalgia and Mongolian |
| I-hsi YEH | Department of Banking and Cooperative Management, National Taipei University | 2008 | The Spatial Construction of the Musical Body and Its Sense of Place: A Case Study of Musical Bodies at Lu-Ming Square |
| Yan-fang LIOU | Department of Ethnomusicology, Nanhua University | 2008 | Changes in the System of Buddhist Practice, Education, and Ritual Music – The Case of the Drikung Kagyu Samtenling Nunnery in Tibetan Buddhism |
| Yi-chun HSIEH | Department of Music, National Sun Yat-Sen University | 2008 | The Features of Traditional Confucian Temple Music Employed in Bunya Koh’s Works — Kongmiao Dacheng Yuezhang |
| Chieh-ting HSIEH | Department of Journalism, National Chengchi University | 2007 | Relating Dance and Music Through Dynamics: From Rudolf Laban’s choros to Kurt Jooss’ Tanztheater |
| Yi-ju WANG | Department of Philosophy, National Chengchi University | 2008 | “Telling a Story”: Three Scat Solos by Ella Fitzgerald |
| Hung-pei YEH | Department of History, Fu Jen Catholic University | 2009 | A Study of the Guqin Pieces ‘Da Hujia’ and ‘Xiao Hujia’ |
| Chun-li CHEN | Department of Diplomacy, National Chengchi University | 2010 | Wind Band Development in Taiwan During the Japanese Colonial Era – With Special Focus on the Taipei Band and Its New Park Open Air Concert Hall Performances |
| Yi-ju LIN | Department of Music, National Taipei University of Education | 2007 | A Strand of Beautified Singing: A Study of the Music of Taiwan Yi-Dan in the Japanese Colonial Period |
| Tzu-cheng LIN | Department of Music, Soochow University | 2007 | The Soundtracks of Western Music in Modern Taiwan: On Taiwanese Concert Life in the Japanese Colonial Era |
| Ya-ting YANG | Department of Music, National Taiwan Normal University | 2005 | Gershwin’s Melodic Strategies in His Instrumental Music: A Stylistic Study ofRhapsody in Blue, the Concerto in F for Piano and Orchestra, and An American in Paris |
| Yi-ling WU | Department of Music, Taipei National University of Arts | 2008 | Phonographs, Graphophones, and Gramophones in the Early Japanese Colonial Period of Taiwan (1898-1910) – A Study of the Reportage in the Taiwan Daily News |
| Yu-wen SHIH | Department of Music, National University of Tainan | 2005 | A Study of the Notational Method ofWenhuantang Fingering Notation: Revisting the Transformation of the Nanguan Notational Concept |
| Pei-hsiu KAO | Department of Music, Soochow University | 2008 | The Musical Mobilization Movement of the Kominhokokai |
| Chih-ming LIN | Department of Music, Taipei National University of the Arts | 2008 | An Investigation of the Original Resources of Gua-Kang Puppet Music: A Case Study ofHua Ron Daw by the I Wan Jan Puppet Theatre |
| Ai-mei LUO | Department of Arabic Language and Literature, National Chengchi University | 2008 | Three Case Studies of Guqin and Musical Modernization of in China (1918-1937); Wang Lu, Wang Guangqi and the Jinyu Qin Society |
| Yun-shiou TSAI | Department of Slavic Languages and Literatures, National Chengchi University | 2008 | KHS in Taiwan: A Social History of a Musical Instruments Company |
| Kun-ter CHANG | Berklee College of Music, Department of Professional Performance / National Chiao Tung University, Department of Applied Mathematics | 2007 | From “Just for the Love” to “Giant Steps” – The Unique Harmonic / Tonal Structures of John Coltrane’s Early Compositions |
| Chien-yee YEOH | Department of Music, Universiti Sains Malaysia | 2005 | The Study of Malaysian Chinese Art Songs: An Analysis of Khaw Guan Liang’s Works |
| Kai-ling HSU | Department of Music, National Taiwan Normal University | 2005 | A Study of the Content of Radio Programs in the Japanese Colonial Era — With Special Focus on the Broadcast of Military Songs (1937-1941) |
| Ming-yen LEE | Chinese Music Department, National Taiwan University of the Arts | 2005 | Indonesian Traditional Music Practice in Islamic Religious Ceremony: Gamelan Sekati as Celebration for Muhammad’s Birthday in Indonesia’s Yogyakarta Palace |
| Yu-yin CHEN | Department of Music, National Hsinchu University of Education | 2004 | The Study of Chinese Drum Culture from the Prehistorical Period to the Han Dynasty |
| Yu-chun HSU | Department of Philosophy, Fu Jen Catholic University | 2004 | The Experience of Recitation and the Use of Sound in the Rituals of Taiwan’s Muslim Congregations |
| Ching-lan SU | Department of Music, National Taiwan Normal University | 2008 | The Relationship between Temples, Immigrants, and the Musical Activities of Nanguan Clubs – The Greater Kaohsiung Area as Case Study |
| Mei-fang HUNG | Department of Music, National Pingtung University of Education | 2004 | The Study of Zheng You-Zhong and His Band – From the 1920’s to the 1960’s |
| Wen-bin LIANG | Department of Music Education, National Taipei Teachers College | 2004 | A Study of the Ballad “Hsin Hun Bie” – From Work to Society and Era |
| Pei-yu WU | Department of Music, National Taiwan Normal University | 2004 | The Compositional Process in Stravinsky’s Neoclassical Period – Linear Methods in Medium or Large Works |
| Fang-yi HUNG | Department of Music, Soochow University | 2004 | The Madness of the Time, the Diva of Shanghai: Zhou Xuan, Popular Songs, and Chinese Modernity, 1930s-1950s |
| Pei-ling CHUNG | Department of Music, National Taiwan Normal University | 2003 | Taipei Chamber and Philharmonic Orchestra: A Study of the Tenure of Henry Simon Mazer as Music Director (1985-2002) |
| Chiao-yin YU | Department of Japanese Language and Literature, National Taiwan University | 2005 | The Transformation of Rhythmic Visual Images – The Interactive Relation of Music and Image in In the Mood For Love |
| Ching-lan CHANG | Department of Sociology, National Taiwan University | 2005 | Ancient Greek and Chinese Thought on Music Education |
| Chen-lan SHIH | Department Of Drama, National Taiwan Academy of Arts | 2003 | The Origins of the Antique Chinese Pear-Shaped Lute and Its Reclassification: An Iconographic Study |
| Pei-ju LIAO | Department of Financial and Economic Law, Chung Yuan Christian University | 2003 | An Investigation of the Folksong Collective Movement |
| Ming-lun LI | Department of Electrical Engineering, National Taiwan University | 2003 | Pursuing “Authenticity”? – The Ideals and Practices of Conductors of Original Instruments Ensembles in Performances of Beethoven’s Ninth Symphony |
| Yi-hui LI | Department of Foreign Languages and Literatures, National Taiwan University | 2002 | The Presentation of Classical Music in Taiwan: A Case Study of Philharmonic Radio Taipei |
| Yu-kuan CHUANG | Department of Music, National Sun Yat-sen University | 2004 | Yi-dan Musical Activities in 1930s Taiwan – An Analysis of Reports Printed in the 369 Tabloid |
| Kuang-ta YUAN | Department of Sociology, Fu Jen Catholic University | 2003 | Theatrical Performance in Late Qing and Early Republican China – A Case Study of the “New Stage” Movement (1908-1927) |
| Hui-ling CHEN | Department of Music, Fu Jen Catholic University | 2003 | The Philosophy of the I Ching in Chou Wen-chung’s Compositional Practices – WithBian as Analytical Focus |
| Hao-hsuan CHUANG | School of Pharmacy, Taipei Medical College | 2002 | An Analysis of Therapeutic Elements in Music: The Case Study of Anti-Insomnia Music by Peter Hübner in Medical Resonance Therapy |
| Yen-ling LIU | Department of Music, National Taiwan Normal University | 2001 | The Development of Allan Forte’s Set Theory – From 1973 to 1999 |
| Hui-wen CHANG | Department of Music, National Taiwan Normal University | 2002 | The Life of the Japanese-Colonial-Era Soprano Lin Shi-hao |
| Shih-shan CHIU | Department of Music Education, Taipei Municipal Teachers College | 2001 | The Impact of the Taiwan Provincial Symphony Orchestra and the Society for the Promotion of Taiwanese Culture in the Early Postwar Era (19545-1949) |
| Po-wei WENG | Department of Music Education, National Taichung Teachers College | 2001 | From Semiotic to Performing Systems: A Study of the Peking Opera luogu |
| Hsin-fang CHIANG | Department of Music, National Institute of the Arts | 2004 | The Taipei Century Symphony Orchestra – With an Investigation of Government Policy of Cultural Support |
| Yung-kai TSAI | Department of Information Management, National Taiwan University | 2003 | Virtuosity in the Arrangements of Bach’s Chaconne in d minor by Brahms and Busoni |
| Ying-ping HU | Department of Chinese Literature, National Taiwan University | 2003 | The Interaction of Music and Image – The Coordination of Visual and Musical Time inCrouching Tiger, Hidden Dragon |
| Hsiang-Ling YANG | Department of Music, National Institute of the Arts | 2001 | The Musical Activities of the Chuchian Local Elite in Qing Dynasty Taiwan – With Special Focus on the Lin and Cheng Families |
| Li-wen NIEN | 2003 | A Study of Postmodernism in the Compositional Style of Tan Dun’s Orchestral Theatre III: Red Forecast | |
| Hsin-chun LU | Department of Philosophy, Fu Jen Catholic University | 2001 | The Structural Development and Symbolic Meanings of the Burmese Bow-Shaped Harp Saung-gauk |
| Hsin-yuan LIU | Department of Animal Science and Technology, National Taiwan University / Department of Music, Soochow University | 2000 | Improvisation in Northern Taiwanese Hakkashan gezi |
| Meng-tzu CHU | Department of Anthropology, National Taiwan University | 2001 | The Musical Practices and Aesthetics of Composing Rock Bands in Taipei — The Case Study of the Chthonic Band |
| Hui-hu HUANG | Department of Political Science, National Taiwan University | 2001 | Usages of Music in the Minquan Taiwanese Opera Troupe’s Outdoor Stage Performances |
| Chien-ming CHEN | Department of Atmospheric Sciences, National Taiwan University | 2002 | The Making of Arrangements in Mandopop |
| Chien-yi LIN | Department of Law, Soochow University | 2002 | Copyright Protection of Indigenous Traditional Musical Works — The Case of the International Copyright Infringement of a Performance by Difang |
| Yu-chen HUANG | Department of Library Science, National Taiwan University | 2000 | A Study of Expression and Form in the Hermeneutic Perspective of Hanslick’s On the Musically Beautiful |
